Now, as the improvement of people's living standard, digital video camera has been more and more into the family, making family digital movies have become more and more people choose. However, we are in the process of making, always feel they made a movie not on the TV screen and smooth, not on the TV screen is contagious. If you see the following content, the next time you edit the movie will certainly have different feelings.
1. And different scene don't match the lens
Lens length refers to the continuous shooting is made up of many frame picture absorbed scene atmosphere and the effect of Samsung WB650 Battery Charger great impact. Overly long lenses makes people feel dragging and dull, lens couldn't picture too short. So whether it's a fixed shooting lens, or a sport shooting lens, should be just right to master the lens length, often based on the following basis to determine length of the lens.
View transform in the group do not have a written rule, generally based primarily on the contents need to be considered narrative clarity, ideographic accurate visual flow. For example, at the level of description during the event in order to achieve clear, common lens to express different King, King, close-range photogrammetry in General and panoramic view, close-up lenses and vision was about one-third per cent each. In order to achieve smooth screen fluency, it is necessary to avoid the same thrilling montage together and make normal view don't change should not be too big. At the same time, far horizon scene to be part of the main action to keep the screen (about two-thirds), myopia from-view screen can less leave some of the main action (~ one-third), prevent the development of Visual sense of beat. In order to render a particular emotional atmosphere, you can use features a vision or vision, such as a close-up of a bipolar montage.
In addition, the view of difference included content is different, naturally in time to JVC BN-VG114 Battery Charger see one scene required is not the same. For fixed-lens, and see a panoramic lens at least about 6s, King at least 3s, close-range about 1s, features 1.5~1.8s. Course, the actual length of a lens to based on the content, rhythm, light, movement speed, the scenery complexity requires flexibility.
2. Matching the screen body position
Described in one direction only (along a horizontal transverse or diagonal transverse) body of the sport, should keep moving same direction in the before and after pictures. Described from opposite lateral oblique line composed of circular motion of a body, in the before and after pictures should have a clearly marked reference, suggesting the main direction of the movement. So when two opposite directions subject when available alternate way to describe the two sides will soon meet situations, at the same time allowing the main picture getting clearer respectively, the display length and shorter in order to strengthen the atmosphere of conflict. Describes the reverse or facing away from the main body of the camera, picture portrait whatever move forward or backward is a neutral movement (similar to static pictures), and any motion picture group, but to add suggested change direction neutral lenses between dynamic and static (that is, sites or falling piece of direction subject) transition.
3. Matching the camera lens
Movement of the camera lens equivalent to frame the picture with respect to the absorbed external movement of the subject, and on the subject of the absorbed in time and space are continuously changing, is an internal exercise. If the ls with a continuous shot, the screen is easy to identify on the absorbed the main direction of movement. But with lens language to describe the absorbed subject, always a complete action on the spatio-temporal decomposition, then through snippets connection method to reflect. On the screen, the main sense of movement in space will appear on the jump. If the side picture taken of the different groups together, body movement on the screen also appears in the direction of chaos. To avoid this confusion, the camera position must be subject to the total angle of 180 ° rule. Are photo subjects during exercise, a flight must be selected in the absorbed same side of the main axis of imaginary movement, otherwise, there will be "jumping axis". In case of early shooting occurs in such a "jump axis" lenses, in post editing work must take the appropriate remedial measures. Common methods for the calibration is as follows:
A is in two instead direction movement of screen middle, insert a has movement direction change action or character turned action of screen, using dynamic potential will movement axis change came; II is in two instead direction movement of screen middle, insert a local of close-up or reflect lens of close-up to temporarily dispersed people of attention, to weakened instead movement of conflict sense; three is in two instead direction movement of screen middle, insert a has depth sense movement of no directional of neutral lens, also may weakened instead movement of conflict sense , And the use of large panoramic fuzzy jump look lens axis camera or with the figures, to transitional two-movement direction opposite screen.
4. Matching the static main sight
Screen is a person with static images or scenes before and after picture of trends has a close relationship, only the subject in both static and dynamic time maintaining a continuity of setting direction in order to ensure consistency before and after pictures of the main trends and to. In a static screen picture although there is no dynamic screens action axis, but is in a static characters in the main relationship between the existence of an imaginary axis (and motion axes are different, it is always a straight line), the camera can only be on the same side of an axis of 180 ° moved within a semicircle of shot, otherwise, can have a "skip shaft" error. Before and after picture character position not only on the opposite, and the people of gazing direction is opposite. In order to ensure both before and after pictures to avoid Panasonic PV-GS80 Battery Charger creating "skip shaft" errors, you should notice that each picture rate of sites or falling, especially falling piece of vision and action, location of the subject line. One scene in the end is the start of the next screen, if different axis and lens begins the end, before the end of the lens from the subjects again sets a new axis.
5. Matching the screen movement
Itself to achieve absorbed body movement, subjective movement of the camera and screen groups caused the subject of internal coordination, the key is to look for movement the best set of contacts, that is, "action". Because a full movement in the picture is broken down into a series of different directions, different perspectives, different King, consisting of fragments after transient changes, so groups, in order to ensure the coherence of the main action, selection of the best group contacts should follow the "actions" principle. Otherwise, the movement will have a sense of jumping. The so-called "movement" principle: refers to movement best group contacts should normally be selected in the action transforming moment juncture (static and static), or in the action process (dynamic) switching.
Fixed lens with a fixed lens or a fixed lens and moving camera of the same subject, should be based on "static static" and "Add transitions between static and dynamic principle of" switch. For example, static and moving from static to dynamic instant access of a moving camera still picture of the start action (piece of) transition, to maintain a smooth conversion from static to dynamic. Moving camera and touches the moving camera of the same subject, should be based on "mobile" principle. Dynamic and static group contact and does not need lots of static or falling rate transition. In addition, you should be aware of all kinds of sports after montage, try to keep moving in line, and before and after pictures of two velocity of harmony, as well as having the right by the main campaign, lens length, and groups form a plot development priorities, the rhythm.
6. And people's life matches the logical
So-called logic of life is the thing in time, space, for a continuous process of development of longitudinal horizontal logical of the intrinsic relationship between relationship and things, such as causality, such as correspondence, conflict, and, while. First, it is time to have consistency, on the performance of actions or events, to seize its time course is relevant to the development of lenses, visitors can feel the concept of the right time. As performance games Shang hundred m race of scenario, first a lens is athletes in starting line Shang in position: second a lens is close-up, support in red runway Shang of athletes of hands: third a lens is close-up, tight pedal in starting device Shang of double feet: fourth a lens is starting gun lift: Fifth a lens is athletes face, starting gun ring, starting; sixth a lens is runway Shang fierce compete for; seventh a lens is Sprint. This 7 shots and the connection reflects the time course of the campaign process. Two spaces to be coherent, things you want to have the same space, same space spatial scope refers to a specific event occurs, it is a space within which the thing and the activity, this space a sense of unity largely environmental and references provided. Third, establishing a dependency between things, things tend to have a relationship, in the Edit alternate performance when two or more of the attention, care should be taken to give a clear account linkages between leads or conflict.
7. Matching the logic of
People observe things around or watch works of art, are all put themselves in a positive thinking activities, with particular psychological needs. Through different scenes, different angles and from different directions, in different lengths, different speeds and different tones, and other screen shot of narrative and ideographic; people produce a wide variety of experience and continuous thinking. Montage can be of any telescopic lens when time and space, you can cut out a mere formality screen, but should be helpful to highlight the principal, enhance experience and knowledge of the nature of things, and cannot influence the perception of the images and scenes that reflect the theme of the paragraph comprehension and thinking. Otherwise, the Visual language is incomplete, unclear accountability error occurred.
8. And the art of everyday logic matches
Television cameras followed the group to the Visual language of montage as the point of the process of making the representation. In many cases, this process is not just about narrative, but also to certain art forms, expression topic needed some kind of Nikon EN-EL12 Battery Chargerartistic conception and emotional content, the ideographic function. Such as lenses and shorter, switch faster and faster, you can create a climate of tension, two sets of lenses frequently switch can have a strong visual stimuli such as.
Digital movie-making is a process of artistic creation, we cannot, via one or two film production mastering reason, as long as more practice, will be familiar with reason.